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Volume 11, No. 2 - December 2011
MARC CHAMPAGNE, Teaching Assistant, Department of Philosophy, York University, Toronto, email: <email@example.com>, holds a Ph.D. from the University of Quebec in Montreal (UQAM). His research interests include the nature of consciousness, logical inference, arguments for metaphysical realism and anti-skepticism, the causal and discursive mechanisms whereby knowledge claims come to be justified, alternative approaches to the study of meaning, informational theories of concepts, and the ramifications of embodiment for agency, perception, and normativity. Recent publications include "Can I Prevent you from Entering my Mind?" (Phenomenology and the Cognitive Sciences), and "Axiomatizing Umwelt Normativity" (a sustained development of Rand's ethical views, in the English-Russian periodical Sign Systems Studies).
ERIC B. DENT, email: <firstname.lastname@example.org>, Professor of Management, University of North Carolina, Pembroke, is committed to an interdisciplinary research agenda that has resulted in publications in behavioral science, complexity theory, systems science, education, consulting, history, communications, spirituality, organization development, and philosophy journals. Dr. Dent earned the B.S. and M.S. degrees in Computer Science from Emory University and the M.B.A. and Ph.D. in Organizational Behavior from The George Washington University.
OLIVER GERLAND III, email: <email@example.com>, is Associate Professor of Theatre and member of the Humanities faculty at the University of Colorado at Boulder. Author ofA Freudian Poetics for Ibsen's Theatre (Mellen 1999) and numerous essays on theatre-related subjects including "From Playhouse to P2P Network: The History and Theory of Performance under Copyright Law in the United States" (Theatre Journal 2007), Gerland received his Ph.D. in Drama and Humanities from Stanford University where he was introduced to the ideas of René Girard. He presented "A Girardian Theory of Stage Fright" at the 2006 meeting of the Colloquium on Violence & Religion and another Girard-related paper, "The Primal Scene of Culture, the Primal Scene of Theatre," at the 2005 conference of the Association for Theatre in Higher Education.
MERLIN JETTON, email: <firstname.lastname@example.org>, investment actuary (retired), has a B.S. in math, is a Fellow of the Society of Actuaries and a Chartered Financial Analyst. He has published articles in professional journals and periodicals, The Journal of Ayn Rand Studies, and several in the philosophy journal Objectivity.
ALLEN MENDENHALL, <email@example.com>, is a writer and attorney living in Atlanta. He is an adjunct professor of law at Faulkner University Jones School of Law. He thanks his cousin Slade Mendenhall, an Objectivist, for reading an early draft of this review. Visit his website at <AllenMendenhall.com>.
NEIL PARILLE, email: <firstname.lastname@example.org>, is an Assistant Attorney General for the State of Connecticut. He blogs at <http://objectiblog.blogspot.com/>. The views expressed are his own.
VOL. 11, NO. 2: TABLE OF CONTENTS
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